Robert managed to solve this
toughnut:
Find the ratio corresponding to B.
Also compare the D-A ratio with the ideal fifth (3/2):
"B'??s ratio is calculating by use
of the fact that the interval from E to B is a perfect fifth, and
a perfect fifth'??s ratio is 3/2. Also E'??s ratio is 5/4.
ThereforeB = 15/8, and:
A=5/3=40=80/54
The ideal fifth
ratio=81/54.Therefore if we were to tune two adjacent keys to two
different A's, the first being in the ratio A/D, and the second a
perfect fifth above D (in the ratio 3/2). The second A would be
higher than the first by a ratio of 81/80."
Find also exactly how many
major tones/thirds there are in an octave.
To do this for the tonesRobert took logs of the equation.
We are trying to find
such that
then
|
|
to
8 significant figures.
Similarly for thirds:
To find the number of thirds in an octave we are looking for the value of
such that
. Observe that:
|
|
and hence
and
. Using logs
|
|
to
8 significant figures.
In order to convert the Pythagorean & Just Intonation
ratios for intervals, into the standard units of tuning ie
cents, One must solve the following equation and then multiply
the solution by 100 to end up with cents:
=R, where R = The Pythagorean or Just Intonation ratio for an interval.
Doing this, Robert obtained the solution:
| C | D | E | F | G | A | B | C |
| Equal tempered scale | 0 | 200 | 400 | 500 | 700 | 900 | 1100 | 1200 |
| Pythagorean scale | 0 | 204 | 408 | 498 | 702 | 906 | 1110 | 1200 |
| Just intonation 0 | 204 | 386 | 498 | 702 | 884 | 1088 | 1200 |
Well Done!