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Sweets in a Box


A sweet manufacturer has decided to design some gift boxes for a new kind of sweet.

Each box is to contain $36$ sweets placed in lines in a single layer in a geometric shape without gaps or fillers.

How many different shaped boxes can you design?

The sweets come in $4$ colours, $9$ of each colour.

Arrange the sweets so that no sweets of the same colour are adjacent to (that is 'next to') each other in any direction. In the diagram below none of the squares marked x can have a red sweet in them.

grid.

Arrange the sweets in some of the boxes you have drawn.

Now try making boxes of $36$ sweets in $2$, $3$ or $4$ layers.

Can you arrange the sweets, $9$ each of $4$ colours, so that none of the same colour are on top of each other as well as not adjacent to each other in any direction?

See if you can invent a good way of showing your arrangement.

Try different numbers of sweets such as $24$ or $60$ in each box.

Why do this problem?

This investigation provides pupils with an engaging context in which to explore the factors of $36$ through rectangular boxes. It will also give them a chance to pursue their own questions and take ownership of the investigation themselves.


Possible approach

You could present this investigation orally to begin with by asking learners to sketch one arrangement of the $36$ sweets on their mini-whiteboards or on paper. Encourage them to share some of their ideas in pairs and then with the whole group. You might find you need to discuss limitations such as whether the sweets can be different shapes or different sizes. Read the question together to make sure the task is understood. Decide on various limitations such as whether the sweets can be different shapes or different sizes. Then, with learners working in pairs, start on the designs.

Children could then work in their pairs to find other designs. It would be useful to have coloured pencils and squared paper available, and (if possible) isometric paper for those who explore triangular boxes. Having counters on hand to represent the sweets would also be helpful, particularly when it comes to looking at their arrangements in the boxes.

This investigation would work well as an extended activity with space on the wall dedicated to displaying what has been found out so far. Once the children have contributed a range of ideas to the wall, take time to bring them together and look at what they have found out. Are there other questions they would like to ask as a result?

Key questions

How could you arrange $36$ sweets in a rectangular box?
Are there any other ways?
What can you say about the number $36$? What are its factors?
How does that help?
How do you know you have got all the rectangular designs?
How are you going to colour your arrangement so that no sweets of the same colour are adjacent to each other?
Will you always be able to colour the sweets like this?

Possible extension

Some learners might like to use triangular or hexagonal cells, rather than squares, for the sweets. They could also explore the 'four colour map problem' (or four colour theorem). Can they draw a 'map' for which it is necessary to have more than four colours so that no two 'countries' which share a border are the same colour?

Possible support

Using counters in four colours to represent the sweets will help children to try out their ideas in a less intimidating way than committing something to paper. You could use the interactivity in the Growing Garlic problem instead of counters by reducing the number to $36$.